Liedertafel

Concert Archive

Sunday, December 9th 2007, 8pm
Trinity College Chapel, Broad Street, Oxford

A Christmas Concert

LIEDERTAFEL

Helen Ashby - soprano
Kate Ashby - soprano
Stephen Burrows - countertenor
Matthew Vine - tenor
Duncan Saunderson - bass

with

COLIN DEXTER (creator of Inspector Morse) - reader

O beata et gloriosa Trinitas - Palestrina
O magnum mysterium - Victoria
O nata lux - Tallis
Ave virgo sanctissima - Guerrero
The lamb - Tavener
Agnus Dei from Missa Brevis - Palestrina
Bethlehem Down - Warlock
I sing of a maiden - Berkeley
Hail Queen of heaven - Burgon

A selection of traditional carols.


"The programme had been chosen with great care... complex musical structures were contrasted by the emotive simplicity of modern arrangements of traditional carols. And throughout, the ensemble produced a performance that was deeply satisfying in its attention to detail, allowing the music to speak directly to every listener." Henley Standard

This Christmas Liedertafel is joined by the sopranos Helen and Kate Ashby, both members of the outstanding award winning vocal ensemble Stile Antico. In the exquisite Chapel of Trinity College, Liedertafel will perform one of Palestrina's finest motets "O Beata et Gloriosa Trinitas", seasonal music by Victoria, Guerrero, Tavener, Berkeley, Burgon and Warlock as well as a selection of traditional Christmas carols.

As twins, Helen and Kate Ashby have a unique blend that is most appropriate in the "mirror image" part writing in Tavener's "The Lamb" and the soprano canonic imitation in Palestrina's "Agnus Dei" and Guerrero's "Ave Virgo Sanctissima".

Colin Dexter, as usual, will delight and inform with traditional readings, an account of Alistair Cooke introducing Leonard Bernstein to "The Messiah" in New York and Laurie Lee's description of carol singers outside Seville Cathedral in the 1950s, before the coming of Easyjet.

Saturday, 29th September 2007, 8pm
Wadham College Chapel, Parks Road, Oxford

James Bowman - Countertenor

Dorothy Linell - Lute

with

Liedertafel

Stephen Burrows - countertenor
Ben Alden - tenor
Matthew Vine - tenor
Duncan Saunderson - bass

James Bowman will perform lute songs by Dowland, Campion and Rosseter in the candlelit setting of Wadham College Chapel. A true "renaissance man", Campion was a medical doctor by profession as well as a poet and musician. Dowland, one of the greatest songwriters in the English language, and Rosseter were both lutenists to King James I under whose reign Wadham College was built. It therefore provides the perfect historical setting for English lutesong at the start of the 17th century.

To contrast, the Oxford based male voice ensemble "Liedertafel" will perform Missa "O Quam Gloriosum est" by Tomas Luis de Victoria, a Spanish contemporary of the English lute song composers, as well as neglected English gems such as Stanford's "Hush, sweet lute" and Macfarren's "Orpheus, with his lute".

James Bowman is still receiving reviews that would be envied by many younger singers:-

Opera Today enthuses about "the continuing vitality and beauty of Bowman's voice" in a review of his new solo disc recorded last year.

After a London concert earlier this year, Anthony Holden wrote in The Guardian; "This was also a masterpiece in vocal control, the holding of a musical line and above all, enunciation. So I hope some of the next generation of singers made the short pilgrimage from nearby English National Opera, which would not need cotroversial surtitles if all the company's diction were as clear as Bowman's".

His name even appears regularly in other countertenor reviews such as in The Times this Spring; "We're so used to the counter-tenor super heroes - the liquid amber of an Andreas Scholl, the soprano seduction of a David Daniels, the eternal splendour of James Bowman....."

Dorothy Linell is one of the country's top lutenists. She regularly tours all over the world and has performed with Nigel Kennedy, Simon Rattle, Glyndebourne Opera and The Deller Consort.

Tickets £10: Reservations: tickets@liedertafel.org

STARS OF THE SUMMER NIGHT

Thursday 2nd August, 2007 8:00pm. (end approx.9:15pm)

New College Chapel, Holywell Street, Oxford

In the 14th century grandeur of New College Chapel take a musical journey with Liedertafel through life and from Spring to Winter and morn to night. In between there's hunting, smoking, comedy, love and of course tax, all under the watchful eyes of El Greco's St. James, Epstein's Lazarus and Sir Joshua Reynolds's controversial 18th century stained glass "Virtues"; society beauties of the day famously described by Lord Torrington as "half dressed languishing harlots".

Hail, smiling morn - R. Spofforth
Jünglingswonne - F. Schubert
Forresters sound the cheerful horn - H. Bishop
My pocket's low and taxes high - S. Webbe
The goslings - F. Bridge
T'other day as I sat - J.Goss
As torrents in Summer - E. Elgar
I loved her - J. Hatton
I vostri acuti dardi - P. Verdalot
Winter - H. Purcell (The Fairy Queen)
His golden locks time hath to silver turned - J. Dowland
Il bianco e dolce cigno - J. Arcadelt
Die nacht - F. Schubert
The long day closes - A. Sullivan
Never weather beaten sail - T. Campian
There is a paradise on earth - R.L.Pearsall

 

St. John's College Chapel, St. Giles, Oxford.
Thursday 20th July 2006, 8pm

NIGHT MUSIC

Poetry by the St John's poets A.E.Housman and Philip Larkin and partsongs by Dowland, Purcell, Schubert, Brahms, Elgar, Sullivan and Vaughan Williams.

English wine tasting with award-winning wines from Brightwell Vineyard.

LIEDERTAFEL
Stephen Burrows - countertenor
Ben Alden - tenor
John Bungard - tenor
Duncan Saunderson - bass

with

COLIN DEXTER (creator of Inspector Morse) - reader

Colin Dexter and his novels;
"A plot of classical cunning and intricacy" Times Literary Supplement.
"..has set his fellow crime writers an example they will find it hard to emulate" Sunday Times.
"Dexter has created a giant among fictional detectives and has never short changed his readers" The Times
"Dextrously ingenious" The Guardian
"traditional crime writing at its best; the kind of book without which no armchair is complete" Sunday Times.
"Brilliant characterization in original whodunnit" Sunday Telegraph.
"A brilliantly plotted detective story" Evening Standard.

A.E.Housman (St. John's, Oxford 1877-81) is one of England's finest and most popular lyric poets. His most famous work "A Shropshire Lad" paints a nostalgic and moving picture of brave English soldiers on the front in the "Great" war.

Philip Larkin CBE (St. John's, Oxford 1940-43) is the greatest poet of his generation. He declined the offer to succeed Sir John Betjeman as Poet Laureate due to the high public profile, preferring the uneventful life of a librarian in Hull.

....and in their blazing solitude
The stars sang in their sockets through the night:
'Blow bright, blow bright
The coal of this unquickened world'

From "Night Music" by Philip Larkin.

Wednesday, 17th May 2006, 8pm
Little St. Mary's Church, Trumpington Street, Cambridge

Solo lute songs by John Dowland (1563-1626)
4 part music by Antoine Brumel, Jakob Arcadelt and Heinrich Isaak

Innsbruck, ich muss dich lassen - Heinrich Issak
Lamentations - Antoine Brumel
Ave Maria - William Cornysh
Adieu Madame - Henry VIII
Il bianco e dolce cigno - Jacques Arcadelt
O let me live for true love - Thomas Tomkins (To Dr. Dowland)
O vos omnes - T.L.Victoria

James Bowman - Countertenor

Dorothy Linell - Lute

Stephen Burrows - countertenor
Ben Alden - tenor
John Bungard - tenor
Duncan Saunderson - bass

James Bowman has been one of the world's leading countertenors for almost forty years. In 1967 as a modest Oxford prep. schoolmaster and cathedral singer he was asked by Benjamin Britten to take the lead role in his "A Midsummer Night's Dream" at Covent Garden. Since then, whether spearheading David Munrow's legendary "Early Music Consort of London", terrorising Janet Baker on DVD in "Julius Ceasar" from ENO, appearing in almost every major opera house in the world or making solo discs with The King's Consort he has charmed audiences with his unique timbre, charismatic performing presence and unbeatable vocal projection. One broadsheet reviewer recently wrote that his voice could be heard on the moon during a performance of "The St. John Passion" in London!

Andreas Scholl has beat him last year, in being the first countertenor to sing at The Last Night of the Proms (looking like Superman might've helped......). However, even this leading young countertenor acknowledged a real grandmaster in last August's BBC Music Magazine; "After his (Andreas Scholl) voice broke he continued singing falsetto in the choir...'at that time their were few people who knew what countertenors were. Then an uncle of mine gave me recordings of James Bowman and I thought, yeah, this sounds good, maybe I can do it.'"

Friday December 16th 2005, 7.30pm
A Candlelight Christmas Concert
Wadham College Chapel, Oxford

Nicholas Clapton - countertenor
Matthew Vine - tenor
Duncan Saunderson - bass
Julian Littlewood - piano/organ

with

Harry Sever - treble and Colin Dexter OBE - reader

Harry Sever was born in 1991 and has become one of the country's most outstanding trebles. He was Head Quirister of Winchester College Chapel Choir (est.1382) and in 2003 he was BBC Radio Two's Young Chorister of the Year. Since then he has been much in demand as a soloist and has made several broadcasts for the BBC. In 2005 he sang at the Royal Albert Hall with Russell Watson, the Opera Babes, G4, Aled Jones and a host of other celebrities in aid of child victims of the tsunami. Michael Church of The Independent said of his performance: "The best came last, in the form of the 13-year-old treble Harry Sever, who brought real artistry to a difficult song. Here was a singer who really inhabited the music he sang". He has released a solo CD of English Song "My Own Country" and has just recorded Schubert's "Die Schöne Müllerin". Harry is the first treble to record a complete song cycle. He is currently an academic and a music scholar at Winchester College.

As one of the country's most popular and successful detective authors Colin Dexter needs little introduction. With the recent filming of "Sergeant Lewis", the late Inspector Morse's sidekick, there is still a voracious appetite for Oxford murder, Dexter style. With Liedertafel he has entertained a number of audiences with his choice selection of readings delivered in his cerebral, witty and inimitable style.

Liedertafel will perform Christmas favourites alongside some lesser known seasonal music by Heinrich Isaak (1450 - 1517) and Geoffrey Burgon who is best known for his haunting "Nunc Dimittis" used as the theme tune to "Tinker Tailor, Soldier Spy".

Thursday August 18th 2005,  8pm
St. John's College Chapel , St. Giles, Oxford.

When Evening's Twilight Gathers Round

Vocal music from the court of King Henry VIII and Queen Elizabeth I. Victorian and Edwardian partsongs and settings of Shakespeare and A.E.Housman sung in the college where he was an undergraduate.

Stephen Burrows - countertenor
Kevin Skelton - tenor
Matthew Vine - tenor
Duncan Saunderson - bass
Julian Littlewood - piano/organ.

Friday 5 August 2005, 8pm
St. John's College Auditorium, St. Giles, Oxford

An Evening of Reminiscence in Words and Music
with Colin Dexter OBE, creater of Inspector Morse.

music by Purcell, Mozart, Fauré, Chopin, R. Strauss, Schubert,Wagner and song settings of AE.Housman performed in the college where Housman and Morse were undergraduates.

Colin Dexter and his novels;
"A plot of classical cunning and intricacy" Times Literary Supplement.
"..has set his fellow crime writers an example they will find it hard to emulate" Sunday Times.
"Dexter has created a giant among fictional detectives and has never short changed his readers" The Times
"Dextrously ingenious" The Guardian
"traditional crime writing at its best; the kind of book without which no armchair is complete" Sunday Times.
"Brilliant characterization in original whodunnit" Sunday Telegraph.
"A brilliantly plotted detective story" Evening Standard.

Julie Cooper - Soprano
Stephen Burrows - Countertenor
Matthew Vine - Tenor
Duncan Saunderson - Bass
Julian Littlewood - Piano

Monday, 21st March 2005, 8 pm
Wadham College Chapel, Parks Road, Oxford

Parce mihi domine - Cristóbal Morales (1500-1553)
Mass for 5 voices - Melchor Robledo (1520-1586)
Ave Maria - Josquin Desprez (1440-1521)
O Beata et benedicta et gloriosa Trinitas - Giovanni Pierluigi da Palestrina (1526-1594)
Versa est in luctum - Tomás Luis de Victoria (1548-1611)

      Details of Robledo's life are sketchy but he was organist at the cathedrals of Tarragona and Saragossa in Spain. It is thought he was for a time a member of The Sistine Chapel Choir in Rome and that his reputation at Saragossa Cathedral was such that his music was the only music allowed to be sung alongside Morales, Desprez, Palestrina and Victoria, all of whom were members of The Sistine Chapel Choir. The papal choir was for more than a millennium the foremost musical body of Christendom and by 1600 castrati had almost entirely replaced falsettists on the soprano line. In what might have been seen as heresy in the 16th century, we will use female voices! Palestrina's O Beata (O blessed, holy and glorious Trinity) for Trinity Sunday is, according to Hugh Keyte, considered to be Palestrina's finest motet... in a context of over 300. We end with "Versa est in luctum" (My harp is tuned to mourning and my organ into the voice of those that weep) by the composer and priest Victoria. This passionate motet, originally sung alongside his great Requiem, makes a fitting start to Holy Week.
       In contrast, organ music by Antonio de Cabezón (1510-1566) will be performed. Cabezón, who was blind from birth, was Philip II's organist and one of the greatest Spanish keyboard composers. On Morales, another Spanish priest, Manfred Eichner, the producer of the best selling Hilliard Ensemble recording "Officium" should have the last word; "I first heard Morales at the beginning of the 70s in the cathedral of Seville. When I heard it again twenty years later, while driving through the jagged lava fields of Iceland, the impression was even greater.....Morales suddenly appeared to me like the southern mainland over which the migratory birds from the north draw ever widening circles. Before the Basalt sea."

Penelope Martin-Smith - Soprano
Ghislaine Morgan - Soprano
Stephen Burrows - Countertenor
Matthew Vine - Tenor
Duncan Saunderson - Bass